On Dec. 11, the esteemed two-time Emmy Award-winning actor Andre Braugher passed away at the age of 61, succumbing to lung cancer.
The versatile actor, best known for his roles as Captain Ray Holt in Brooklyn Nine-Nine and Detective Frank Pembleton in Homicide: Life on the Street, left an indelible mark on the entertainment industry.
Braugher’s career was marked by a seamless transition between drama and comedy, much like the characters he portrayed. His deadpan delivery, much like Holt’s, became the beating heart of Brooklyn Nine-Nine, a show that provided millennials, much like myself, with their first extended exposure to Braugher’s exceptional talent.
He showcased his comic timing and emotional depth in the show, portraying Holt, a character initially introduced as a somber foil to the hyperactive Jake Peralta, portrayed by Andy Samberg. However, Braugher’s portrayal elevated the straight man archetype into a comical masterpiece, with Holt’s stoic demeanor contrasting hilariously with moments of sly silliness — a hula-hooping hobby, a corgi named Cheddar, and witty references.
At first glance, Braugher and his on-screen counterpart, Holt, shared a common thread of imposing figures exuding a sense of gravitas. Braugher, a Juilliard-trained and Emmy-winning dramatic actor, brought a wealth of experience and skill to his roles. Meanwhile, Holt was a gay, Black police officer who triumphed over prejudice to ascend the ranks of his agency.
Both individuals, in their own right, faced a unique juxtaposition — an environment of zaniness that seemingly contradicted their well-established reputations. Whether navigating the precinct named after them or a joke-filled network comedy, Braugher and Holt embodied a remarkable blend of gravitas and comedic flair.
In the wake of losing the iconic Norman Lear on Dec. 5, whose groundbreaking sitcoms One Day at a Time and Maude paved the way for social commentary on TV, we cannot ignore the quietly revolutionary Holt. Unlike the outspoken characters of Lear’s era, Holt brought a different kind of innovation.
As a police captain, Holt’s uniqueness stemmed not just from his rank but from his outsider status, an inherent part of him that shaped his worldview. In a T.V. landscape evolving with the times, Holt represented a fading archetype — the cop unwaveringly committed to justice for all.
In a world where loud personalities often steal the spotlight, Holt’s quiet strength and unconventional approach served as a reminder of the necessity for diverse and authentic portrayals. In the legacy Lear, Holt stands as a symbol of subtle but impactful change, contributing to a richer, more nuanced representation of law enforcement on screen.
Beyond the precinct walls, Braugher continued to demonstrate his versatility. In the journalism drama film, She Said, he portrayed the dead-serious Dean Baquet, showcasing his ability to navigate dramatic roles. The actor also embraced pure comedy in The Good Fight, where he sported an array of fabulous eyewear for a recurring role in the delirious legal procedural.
Braugher’s ability to traverse genres, from drama to comedy, showcased the depth of his talent. His final project, She Said, exemplified his commitment to powerful storytelling, exploring the investigative journalists behind the Harvey Weinstein story alongside actors Carey Mulligan and Zoe Kazan.
Terry Crews, who played Lieutenant Terry Jeffords in Brooklyn Nine-Nine, shared his heartfelt condolences sharing his “irreplaceable talent” in an Instagram post.
As the entertainment industry mourns the loss of the remarkable actor, Braugher’s legacy lives on through his impactful performances, leaving an enduring mark on both drama and comedy.
His commitment to providing his family with a grounded upbringing speaks to Braugher’s prioritization of a fulfilling personal life over the trappings of stardom. As we remember this remarkable actor, Braugher is survived by his wife, sons, brother Charles Jennings, and his mother — a testament to the man behind the roles and his dedication to a meaningful and authentic existence.